In addition to kind of blowing my mind, this show of support had the side effect of increasing the scope of my project.
I immediately booked two trolleys for a date a couple of weeks out. This effectively doubled my workload, expenses, edit time needs, and output to my backers but I was happy to do it in return for the amazing support I had received.
I made the downpayment on the trolleys out of my own money, and convinced my company, Dallas Audio Post, to front the costs of the trains so that I could get to recording as early as possible.
With money fronted I made it my mission to spend the next few weeks doing as much scouting and prep as I could, given the time constraints I knew I'd be under on the day of the record. I began spending some time at the trolley barn and getting to know the people I'd be working with. I met Dean, my motorman as well as a couple of volunteers that really knew what they were doing.
I was able to shoot some preliminary videos and really get a gameplan mapped out, which included things like finding mounting points, interesting sounding parts, and just generally befriending the train people.
During the two weeks prior to the shoot I was probably at the trolley barn 6 or 8 times.
I was pretty diligent to document stuff and post vids and updates to my kickstarter backers, which the website makes into a pretty simple affair.
The KS update page allows inclusion of audio, video and pictures and handles both emailing the update both to backers and posting it to the main kickstarter page. Uploaded media basically works as an attachment, meaning tha tyou can't really post it in-line the way that you would a blog post, and it insists on re-encoding everything.
Those minor things aside, its a very well laid out update mechanism that makes it easy to keep your backers up to date.
Recording day was coming down the road quickly, and making the best of my interim time ended up being incredibly important.
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